This is the musical substance our bones are made of…

Escapism is probably one of the main functions of music, helping to soften the impact of the fatal strategies of an almost always cold served everyday.

Pharmakon, music can induce an intravenous intimacy received in the soul by stereo reduction. It represents for those who listen a place of secrecy, of seduction, where the individual himself is revealed and concealed thoughts released, like in a highly ritualized and restricted symbolism.

The fed brain and the spirit pushed towards the sinuous path of imagination became a generator of intensities extended on the perspectives of destruction of passivity. To place the listener away from simple contemplation is to accept him as an intervenient element, active on the process of artistic creation, capable of adding variations, filling the silence, inserting images… self generating new dynamics and possibilities of subjective interpretation within the artistic object itself. A kind of sensual sound action, the nocturnal music which dreams are made of, with a soul filled with lunar rays, to recreate on the other side of the mirror.

The contact with music is often a violent one, of deflagration, in a way of summoning a creative destruction, therefore beneficial, within the listener’s mental structure: from the wreckage, from the debris, may a new vital force take place, more powerful. The aesthetic chaos induced by the constructive function of destruction.

Through the uncertain and admirable ways of exception, the artists of ossosNossos contribute in different ways to the true essence of not only music but all arts: the creative essence, the true artistic pulse which conceals in creative imagination a kind of divine intervention at the level of the deepest and most inaccessible personal signs. A rigorous exercise of sensibility refining, generated in the urgent core of creativity.

To reveal the work and hide the artist, like Oscar Wilde wanted?

…these are the sound colours of a soul in stereo.
Jorge Mantas